February 7: OUR LADY MOTHER OF GRACE | No Greater Delight
No Greater Delight is a daily Marian podcast meant to start the day with a Marian touch. After examining the Marian feasts celebrated throughout the world on a given day, Fr. Nate offers a brief reflection to help make our love for Our Lady concrete in daily living. The title "No Greater Delight" is inspired by a homily of Saint Bernard of Clairvaux, wherein he expresses his joy in preaching about the Virgin Mother, even though he acknowledges the challenge of adequately praising her. Mary's greatness is beyond words. 0:00 Feasts of Mary Today 08:34 The Imitation of Mary WhatsApp Channel: Catholic Voice Links: catholicvoice | Instagram, Facebook | Linktree
Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled the Mother of Grace, known also as Our Lady of the Bowed Head.
In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it, and kneeling down venerated it with great devotion.
He had the picture renovated and placed it on the shelf in his cell, where he made it the object of his love and supplications in favor of those who came to him in their necessities and afflictions. One night while he was praying fervently before the picture, he noticed that some dust had settled on it. Having nothing but his coarse woolen handkerchief, he dusted it with that and apologized. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my good will.” To his great surprise, the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined.
Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard: he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary, and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works. A short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image might obtain all they requested. In reply the Virgin gave him this assurance. “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.”
Dominic soon after placed the image into the Church of Maria della Scala so that more devotees of Mary could venerate it. Many wonderful favors were obtained by those who honored and invoked Mary here. Reproductions were made and sent to different parts of the world. After the death of Dominic the original painting was lent to Prince Maximilian of Bavaria. He gave it to the discalced Carmelites in Munich in 1631; they gave it to Emperor Ferdinand II of Austria and his second wife Eleanore. After Ferdinand’s death, Eleanore entered the Carmelite convent in Vienna and took the picture with her. During the succeeding years the image was transferred to various places. Today it is in the monastery church of Vienna Doebling. On September 27, 1931 it was solemnly crowned by Pius XI—its 300th anniversary of arrival in Vienna.